Bringing a contemporary perspective to classic furniture from the 1950s and 1960s, these pieces create a curious relationship between modernist formal elegance and the sophistication of the autonomous forms that structure this sofa. The angles resulting from the meeting of these two great elements give rise to diagonals and juxtapositions of extreme aesthetic refinement. In this collection, like the classic bergère sofas or the modernist furniture of the 1950s and 1960s, the pieces are structured around delicate lines and upholstery that embrace the user in the physical and aesthetic experience of well-being.