By bringing a contemporary look to classic furniture from the 1950s and 1960s, these pieces create a curious relationship between modernist formal elegance and the sophistication of autonomous forms that
structure this sofa. From the angles resulting from the meeting of these two large elements, diagonals and juxtapositions of extreme aesthetic refinement emerge. In this collection, like the classic bergère or the modernist furniture of the 1950s and 1960s, the pieces are structured based on delicate lines and upholstery that embrace the user in the physical and aesthetic experience of well-being.