The sobriety of the main element of this piece, compact and at the same time segmented, distracts the eye from the rhythmic provocation created by the feet and the gap between the volumes. Just like a sculptural object, it projects itself into space as a rupture and break in rhythm through connections made through this void. The gradient paint on the wood, which darkens as it approaches the ground, reinforces the visual games provoked by this piece, which speaks of gaps, hiatuses and invisible connections.
PAUSE SIDEBOARD
